Author Archives: murdermystery

It’s my birthday soon. I turn 27 which I like because it’s a cube. I’ve been kind of depressed lately, but in weird ways I guess. I’ve been thinking about how I wanted to start blogging again, more casually, on … Continue reading

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THE STUDY OF OBJECTS

ANYTHING CAN BE LOOKED AT MORE THAN ONCE // ONLY WE EXIST

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WHEN THINGS CAN BE GREAT

NOBODY DOESN’T LISTEN // WE’RE ALL FINE HERE

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LA & BEFORE

PEOPLE & LIGHT // A NARRATIVE

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just go around in circles

i went to an art event thing whatever yesterday where i participated in a performance which involved having my hands hog-tied behind my back, having a black hood placed over my head, being left alone in a cell, then walked … Continue reading

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INVOCATION OF MY DAEMON LOVER

On Friday night my friend Jarett read as part of San Francisco’s Quiet Lightning reading series. This event in itself is not unprecedented, but what had me excited, and what had him calling me two months ahead of time to … Continue reading

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Outside

Right now I want the desert inside of me to be what I’m standing in the middle of, like the feeling I had when I woke up this morning after dreaming about getting off a bus one, two stops before … Continue reading

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DREAM OF THE DRESS

I found out yesterday that Mark Aguhar killed herself.   I met Mark briefly while I was fucked up out of my mind at High Fantasy in San Francisco, but beyond that encounter we never talked, though I loved Mark’s  blog. … Continue reading

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“Towards the end of the fifties, Nitsch experienced the death of language, its reduction to mere forms deprived of direct reality. His first actions in the sixties were formulated from a desire to make the spectator live directly, to make … Continue reading

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Notes On DANIELLE COLLOBERT’S AUX ENVIRONS D’UN FILM: POETIC WRITING ON THE BRINK OF CINEMA by Christophe Wall-Romana

(from Contemporary French and Francophone Studies, Vol. 9, No. 3 September 2005, pp. 265-273) “…the psychosexual entanglement of experience with alterity” “personal and esthetic choices: her mathematically exact point final is, after all, ultimate proof of the poet’s attention to … Continue reading

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